Okay, not that we got that over with, let's begin.
The Electroscopes "Made a Mistake" 7inch was released by German label, Firestation Records, limited to 200 copies. It is the sole project of Paul Mansell, from Northampton, Britian; a fine young gentleman I may add. When Paul himself heard our original copy of his record was lost somewhere in that great big pond that divides our countries, he without hesitation sent a second copy (again, limited to only 200 pressings) to ensure we were still able to get our groove on. I have got to say, sending out promo copies of a limited release vinyl records is one thing. Sending promos internationally is another. But sending a replacement copy... hats off to you Paul, and superthanks for making sure this one landed safely.
I remember pulling this 7inch out for a first spin late one night. I believe I had just returned from being out at the clubs (or you could say, "in da' clurb" if you like), and me and Mrs. Blogger were feeling pretty chill as is. "Made a Mistake" was no mistake at all, rather cool and nostalgic; reminiscent of early Trembling Blue Stars. I immediately dimmed the lighting to a faint glow, savored a nip of American Kentucky bourbon, and repositioned the black Ray-Ban Wayfarers I once wore only to shade the sun.
"First Into Space, Last Down to Breakfast" on the flipside kept the party going. It is the soundtrack for a contempo Asian bar, where conversations are comfortable, the beat keeps you feeling right, and everyone looks good. If this song were released earlier than 2003, Sofia Coppola would have included it in Lost In Translation. Another example of the b-side track potentially outshining it's (what's meant to be) better half.
I think Firestation Records could have gone with DJ-style white (no label) center labels for this one, perhaps lending further to the downbeat discotheque elements of the release. However, the fact that someone literally hand wrote information on side-a only gave a cordial hit of twee / C86. The black and white photocopied j-fold sleeve is simple, and gives all you need; done right. The heavier polyethylene bag makes the record proud; I always appreciate it when that detailed is given attention.
The cover art is a photograph of a skyscraper; perhaps one with businesses below and a handful of condominiums on the upper floors. There is a texture to the photograph that dates back to the 1970's, but the many television satellite dishes (or are they electroscopes) affixed to the porches greets the modern age. Iconic, nonetheless, and well positioned, it's an appropriate image for a single.
As for the promotional material included, I think someone knew how big of a Sarah Records fan I am. It did not take too long for my eyes to detect the mentions of The Orchids and St. Christopher. Thanks for the additional swag!
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