January 1, 2013: While most everyone in America is watching college football, or like the rest of the world, either dealing with a hangover, making New Year's resolutions (possibly because of that hangover), or packing up their holiday decorations, I'm left stumped that more people did not list Sunbears!' album 'You Will Live Forever' on the 'End of Year' posts we've all been reading for the past few weeks. Okay, okay, technically, 'You Will Live Forever' was a 2011 release, via New Granada Records (Tampa FL), digitally and on CD. Synconation Records (Jacksonville FL) did not actually have their sophomore release, the vinyl edition of Sunbears' simply stunning third album, 'You Will Live Forever,' until 2012. Point is, regardless of its proper release date, this album deserves being mentioned again and again, so here we are making sure you haven't forgotten those lil' Bears down in Florida.
As much as it is this site's intention to highlight and give praise to records that go above and beyond with their packaging designs, truthfully my favorite records are always the ones that do not require this added value. Above that, bands that express a confidence with their records by excluding their name and title from the cover art have a special place in my heart for their bravery. It's not to say that records with this lack of information are going to be amazing by default, but when a record is as phenomenal as Sunbears!' 'You Will Live Forever,' they don't need an introduction, and I love that Sunbears! knew this from the conception of this project. Furthermore, there are no liner notes included either, which is perfect; no distractions or explanations / not necessary.
Jonathan Berlin's (vocals, keys, bass, guitar, programming) wife, Maria, is the artist behind the bionic cover art. Like a good pair of weathered jeans, Sunbears! have provided a worn-in look to their packaging, anticipating that 'you will live forever' and provide a lil' wear-n-tear yourself. The iconic simplicity is a perfect compliment to the honest affirmations Sunbears! make with this album, demonstrated with the title of their second track, "Give Love A Try."
Berlin is a preacher, and Jared Chase's (drums) beat is the pulpit from which 'The Word of The Bears!' can be witnessed. It's Chase's sparse and often well-thought-out absence of drums that demonstrates his profound talent, making him a necessary pairing to Berlin's musical sermons. This vigorously dynamic duo provides us with precise instructions on how to make this a better world. Berlin's voice is addictive; full of life, compassion, wisdom. For every angelic falsetto high providing hope, there is a solid gut-wrenching blow of truth to follow that is reminiscent of your father teaching you right from wrong.
While the title track "You Will Live Forever" is an ambient foreword, and the imperative track "Give Love A Try" is in fact the opening 'song' (verse-chorus-verse, etc.), "Together Forever" (track-4) is really where I begin to believe. I'm not sure if its Chase's Ringo-like kick-snare foundation, or Berlin's "Hotel California"-like (kickass) guitar solo, but there is an undeniable presumption that takes over and drives right through the next three tracks, shutting out life around you.
Sunbears! leave you 'strung out, on your own,' 'dying alone, without yourself' by the time you get to the end of side-a. Literally speaking, that may sound horrible and not the "better place" promised before, but is a momentous murk preceding the devine conclusion of "Dying Alone, Without Yourself"... what I declare as one of the most emotionally captivating musical arrangements ever conducted.
Side-b continues to explore epic pop achievements back-to-back with "They Think They're Soooo Philosophical," "It's Hard! Be Content Where You Are!," and "The Uncertainty Paradigm." Then, once again, Sunbears! manifest your journey through song titles and your 'stumbling into twilight' as the mission of their third album becomes evident: 'we're alive,' 'live, don't stop trying.'
Sunbears! are a family affair, and 'You Will Live Forever' is the blueprint. It is a magnificently put together album, sonically, physically, and spiritually, and will leave you compelled to understand their word. Expect to see this record on 'Best Albums of the Last Decade (2011-2020)' posts in 2021.
Showing posts with label purple. Show all posts
Showing posts with label purple. Show all posts
Tuesday, January 1, 2013
Monday, December 31, 2012
Ghosts of Sailors at Sea - Sheldon Taylor 7inch
I love how, to this day, artists and musicians from or touched by New England continue to tie in a nautical theme to their work. Ghosts of Sailors at Sea, starting with their name and moving all the way through the packaging of their "Sheldon Taylor" 7inch, do just that. The record insert includes a quote from Sheldon Taylor himself, leaving you to wonder that if Taylor was an American explorer over a century ago, then Boston's Ghosts of Sailors at Sea would be the soundtrack to his adventures being told on the silver screen in the modern age.
Personally, I love everything "maps," so they had me at pulling the purple vinyl out of the v-fold jacket and seeing the well drafted center labels of the record itself. With the exception of the font type used (I am never a fan of computerized fonts that are made to look like handwriting; robots will never replace humans), the design of this record takes me back to fellow New Englanders like Victory At Sea or The One AM Radio (but in color for the latter).
Musically: I would have to ask Andrew and Patrick from Ghosts of Sailors at Sea if either of them were kin of Sean McCarthy, singer / guitarist of Helms. Their musical structure, derived from Bostonians like Helms (post-rock / math-rock), explores the various tributaries and creeks of the Charles River their founders left pure. There is still an innocence, but Andrew and Patrick have been studying their maps and charting the course for their music to forge ahead.
"Geoffrey Pope," was my favorite of the two instrumental tracks. It's more mature and forthright, and its on side-b; inevitably going to be preferred. The more challenging guitar work on "Sheldon Taylor" (side-a) reminded me of Ed Crawford (fIREHOSE); a bit more complicated and perplexed from its cohort. I could easily see this single sitting within the catalog of Kimchee Records (Victory At Sea, Helms, 27, Tiger Saw, Chris Brokaw).
Colored vinyl is always a win for me, otherwise the packaging gets a B+ for its well placed maritime imagery. However, my favorite element was the 'Christmas Crab' found on the outside of the mailer for this co-released Gatehouse Anchor / Faded Maps Records 7inch. I may just have to employ the Christmas Crab to continue spreading Holiday Cheer (and mailing information) throughout the New Year.
Personally, I love everything "maps," so they had me at pulling the purple vinyl out of the v-fold jacket and seeing the well drafted center labels of the record itself. With the exception of the font type used (I am never a fan of computerized fonts that are made to look like handwriting; robots will never replace humans), the design of this record takes me back to fellow New Englanders like Victory At Sea or The One AM Radio (but in color for the latter).
Musically: I would have to ask Andrew and Patrick from Ghosts of Sailors at Sea if either of them were kin of Sean McCarthy, singer / guitarist of Helms. Their musical structure, derived from Bostonians like Helms (post-rock / math-rock), explores the various tributaries and creeks of the Charles River their founders left pure. There is still an innocence, but Andrew and Patrick have been studying their maps and charting the course for their music to forge ahead.
"Geoffrey Pope," was my favorite of the two instrumental tracks. It's more mature and forthright, and its on side-b; inevitably going to be preferred. The more challenging guitar work on "Sheldon Taylor" (side-a) reminded me of Ed Crawford (fIREHOSE); a bit more complicated and perplexed from its cohort. I could easily see this single sitting within the catalog of Kimchee Records (Victory At Sea, Helms, 27, Tiger Saw, Chris Brokaw).
Colored vinyl is always a win for me, otherwise the packaging gets a B+ for its well placed maritime imagery. However, my favorite element was the 'Christmas Crab' found on the outside of the mailer for this co-released Gatehouse Anchor / Faded Maps Records 7inch. I may just have to employ the Christmas Crab to continue spreading Holiday Cheer (and mailing information) throughout the New Year.
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