Ghosts of Sailors at Sea - Sheldon Taylor 7inch

I love how, to this day, artists and musicians from or touched by New England continue to tie in a nautical theme to their work. Ghosts of Sailors at Sea, starting with their name and moving all the way through the packaging of their "Sheldon Taylor" 7inch, do just that. The record insert includes a quote from Sheldon Taylor himself, leaving you to wonder that if Taylor was an American explorer over a century ago, then Boston's Ghosts of Sailors at Sea would be the soundtrack to his adventures being told on the silver screen in the modern age.

Personally, I love everything "maps," so they had me at pulling the purple vinyl out of the v-fold jacket and seeing the well drafted center labels of the record itself. With the exception of the font type used (I am never a fan of computerized fonts that are made to look like handwriting; robots will never replace humans), the design of this record takes me back to fellow New Englanders like Victory At Sea or The One AM Radio (but in color for the latter).

Musically: I would have to ask Andrew and Patrick from Ghosts of Sailors at Sea if either of them were kin of Sean McCarthy, singer / guitarist of Helms. Their musical structure, derived from Bostonians like Helms (post-rock / math-rock), explores the various tributaries and creeks of the Charles River their founders left pure. There is still an innocence, but Andrew and Patrick have been studying their maps and charting the course for their music to forge ahead.

"Geoffrey Pope," was my favorite of the two instrumental tracks. It's more mature and forthright, and its on side-b; inevitably going to be preferred. The more challenging guitar work on "Sheldon Taylor" (side-a) reminded me of Ed Crawford (fIREHOSE); a bit more complicated and perplexed from its cohort. I could easily see this single sitting within the catalog of Kimchee Records (Victory At Sea, Helms, 27, Tiger Saw, Chris Brokaw).

Colored vinyl is always a win for me, otherwise the packaging gets a B+ for its well placed maritime imagery. However, my favorite element was the 'Christmas Crab' found on the outside of the mailer for this co-released Gatehouse Anchor / Faded Maps Records 7inch. I may just have to employ the Christmas Crab to continue spreading Holiday Cheer (and mailing information) throughout the New Year.

Mono - For My Parents

For my first review on this site, it's only appropriate to talk about a Mono release with Temporary Residence Ltd.. I've been a fan of not only this band for many years, but this record label as well. Mono first grabbed my attention back in 2004 with their release of 'Walking cloud and deep red sky, Flag fluttered and the sun shined,' a beautiful record with a die-cut image of two girls holding what appears to be violins. I did not know anything about the band at the time, and simply purchased that record based on the respect of Temporary Residence Ltd. and the sheer beauty of the packaging (I'm a sucker for die-cut anything).

Fast forward eight years and Mono's latest release is equally as stunning, and musically as brilliant. Being that the purpose behind this website / blog is to not only review records for their music, but almost more so for their packaging... Mono's 'For My Parents' was an obvious first choice.

The use of the 'tip on' style printing immediately caught my attention. I'm near tempted to purchase any record that uses this process of printing; it truly demonstrates the dedication the record label and / or band have for the release altogether. It is financially a significant increase in price for manufacturing, so I can understand why not every vinyl record is housed in this fashion, but it is a sweet feeling to hold a tip-on jacket in your hands.

Second for me was the printing; it's almost more gorgeous that the classic black and white print we've would come to expect from Mark Kozelek / Sun Kil Moon / Red House Painters. Either the black is printed at approximately 30% ink, or they designed this package with only using a single color, close to a grey or light brown. Either way, the simplicity in the design lends to how romantic and mature this record is for Mono.

I had once tried to introduce my father to Mono, as he is a fan of orchestral, ambient music. They were playing a live concert and it was going to be my first time seeing them; I thought it would be a great father-son outing. Unfortunately, Pops couldn't make the concert, and after seeing Mono at that point (early) in their career, I began to think Pops may not have tolerated the more abrasive, explosive elements that they were becoming very well known for, especially in their live shows. 'For My Parents' feels like its the right time in Mono's career (and sound) to try again with introducing my father to their music; following suit on what the title suggests.

My favorite moments with this release come with the second vinyl record (side-c and side-d). I feel where the record begins (side-a), with the song "Legend" and moving through "Nostalgia," (side-b) is comfortable territory for Mono; where the listener is either expecting or wanting Mono to go. This is where I would take my father first so he would understand their history.

However, when "Unseen Harbor" begins with side-c, there is a memory of Spain I have not sensed before with Mono's guitar work. Our storytellers don't stray too far from the dramatic moments we love them for, but if you actually review this track on the physical vinyl itself before dropping your needle, your will notice that its not long before a new dynamic will be presented to the listener; a coming of age, one may say. It provides a perfect segue into the well-titled "A Quiet Place (Together We Go)" on side-d; an impressive finale for 'For My Parents.'

According to my research on the ol' world wide web, the white vinyl (pictured here) was limited to the first 500 copies pressed; 100 of them going to Mono to sell at their live concerts (limited to one sale per concert and only to a person that asked for the white copy) and the other 400 were for Temporary Residence Ltd. to sell by mail order.

The final straw that takes this release over the edge with amazing packaging and design is the additional insert Mono includes for you to send a personal letter to your parents. The insert even includes an area for you to attach a photograph to your letter. It is actually cut on all four corners for the photograph to be inserted into the paper; a great attention to detail, providing a thoughtful way for Mono to connect even further with their audience. Now if I could only bring myself to actually part ways with this one element of the contents from 'For My Parents' and actually use it for its intentions, making my copy of the record incomplete of its original design... I think my parents will understand.